Antigona Rădulescu, musicologist and PhD in music since 2002, is professor at the National University of Music Bucharest, teaching courses on polyphony, semiotics and musical narratology. Since 1991, she is a member of the Romanian Union of Composers and Musicologists (secretary of the Musicology section between 2010-2014). Her musicological activity includes published books: Perspective semiotice în muzică [Semiotic Perspectives in Music] (2003), Johann Sebastian Bach (2010), Introducere în semiotica muzicală [Introduction to Musical Semiotics] (2013) – book for which she received the Romanian Academy Award in 2015, Odiseea muzicală / Musical Odyssey 1864-2014 (2014); main collaborator of the volume by Valentina Sandu-Dediu Muzica românească între 1944-2000 (2002), translated into German (Rumänische Musik nach 1944, 2006); coordinator and co-author of the collective volume Estetica. Un alt fel de manual [Aesthetics. Another kind of textbook] (2007); author of studies on various themes, from semiotics to modern and contemporary creation, published in academic journals; coordinator of the National University of Music Bucharest journal Acord.

Katy Romanou  is a researcher of Greek music in the CE. She has published widely in Greek and English languages, and has conducted several projects in collaboration with Greek and foreign – especially Balkan – musicologists. Romanou (who studied musicology in Bloomington, IN, in 1969-1974) was a music critic of the daily Kathimerini (1974-1986), taught in several music conservatories in Greece, as well as in the University of Athens and the European University of Cyprus. She is coordinator of the Greek team of RIPM (Retrospective Index of Music Periodicals), and a member of the Board of Directors of the Hellenic Musicological Society.

Valentina Sandu-Dediu studied musicology at the National University of Music Bucharest, graduating in 1990. She has taught Musicology and Stylistics at the same institution since 1993. She has written and edited 12 books, over 40 studies and 300 articles; see Ipostaze stilistice și simbolice ale manierismului în muzică [Stylistic and Symbolic Hypostases of Mannerism in Music] (1995), Rumänische Musik nach 1944 (2006), Alegeri, atitudini, afecte: Despre stil și retorică în muzică [Choices, Attitudes, Affects: Style and Rhetoric in Music] (2010), În căutarea consonanțelor [Searching for Consonances] (2017), Noi istorii ale muzicilor românești [New Histories of Romanian Musics] (2020) – co-editor and co-author.

Valentina Sandu-Dediu has been a fellow of the Wissenschaftskolleg zu Berlin and has been rector of New Europe College, Bucharest, since 2014. She is the recipient of the Peregrinus-Stiftung Prize of the Berlin-Brandenburg Akademie der Wissenschaften (2008). In 2010, she founded Musicology Today: Journal of the National University of Music Bucharest.

Tiberiu Soare Soare is conductor at the Bucharest National Opera and associate professor with the National University of Music Bucharest, where he teaches orchestral conducting. He started his career in 1999 and has since worked with numerous philharmonic orchestras and opera houses in Romania and abroad, among which the London Philharmonic Orchestra, Musica Vitae Chamber Orchestra, Bad Reichenhaller Philharmoniker, Prague Radio Symphony Orchestra, Camerata Salzburg etc. Since 2007 he is conductor of the Profil Ensemble. Between 2012 and 2015 he was principal conductor of the Romanian Radio Orchestras and Choirs.
Tiberiu Soare has been collaborating on a permanent basis with the Calea Victoriei Foundation since 2007. His many interactive conferences on musical themes as a lecturer with the Foundation resulted in two books: Pentru ce mergem la operă? [Why Do We Go to the Opera?] (2014) and Nouă povești muzicale [Nine Musical Stories] (2016).

Vlad Văidean (b. 1992) studied musicology at the National University of Music Bucharest (UNMB), under the guidance of Prof. Valentina Sandu-Dediu. In 2015-2016 he received an Erasmus scholarship to the Institute of Musicology in Leipzig. He won numerous first prizes during his studies, including, in 2017 and 2019, those awarded by the two journals published by the Union of Romanian Composers and Musicologists: Actualitatea muzicală (as a young contemporary music critic), respectively Muzica (for musicological study). He participated in national and international symposia in Bucharest, Cluj-Napoca, Craiova, Iași, Timișoara. He wrote two chapters included in the first volume of New Histories of Romanian Musics (Editura Muzicală, Bucharest, 2020); one of these chapters formed the core of his PhD thesis (defensed in January 2023) on the music and personality of George Enescu, which remains his main research interest. He is currently associate teacher at UNMB, a member of the editorial staff of Musicology Today and a collaborator of the George Enescu National Museum.