Film Music Without a Film: Prokofiev’s Ivan the Terrible, Authorship, and Cold War Politics
By Kevin BartigImagining Ireland Musically: The Affordance and Evidence of Late 20th-Century Cinema
By Harry WhiteThe Polyphony Between Image and Music in the Crafting of National Myths: Theodor Grigoriu’s Music for Dacii and Columna
By Valentina Sandu-DediuSwinging Between Communist Propaganda and the Illusion of Westernization: Richard Oschanitzky’s Music in the Films Parașutiștii and Un comisar acuză
By Florinela PopaMUSIC OF AN ARRESTED FILM: Paul Constantinescu and His Music for the Film Romania in the Fight Against Bolshevism or Our Holy War (1941)
By Nicolae Gheorghiță
