Censoring Shamus: Charles Villiers Stanford and the Cultural Politics of Irish Opera
By Harry WhiteThe Revisionist Muse: Nationalism and Self-Censorship in Alois Fleischmann’s Ómós don Phiarsach / Homage to Patrick Pearse (1979)
By Séamas de BarraMusic Textbooks: Ideologized in Communist Times, Apparently Politics-Free in Post-Decembrist Times
By Olguţa LupuCensorship of Music and Music of Censorship: The Muzica Journal during Romanian Communism
By Cristina ŞuteuThe Influence of Socialist Realism on the Writings Folklorists in the Mid-20th-Century. Case Study: Mariana Kahane
By Lavinia Gheorghe
