Dissidence, Neo-avant-garde, Doublespeak. On the Context of the New Music Studio Budapest in the 1970sBy Anna DalosPolitico-ideological Distortions of Writing About Music in Romania. Case Study: Local Perception of Sergey ProkofievBy Florinela PopaHearing the Nations in ChopinBy Jim SamsonThe story of Creative Resistance: Pascal Bentoiu, the Man and His MusicBy Laura Otilia Vasiliu
