Sonic Zarazas and the Window Technique in Adrian Iorgulescu’s Flute and Clarinet Concertos
By Diana RotaruPost-Enescian Lineage in Romanian Post-War Music. The Representative Case of Doina Rotaru
By Vlad VăideanAdrian Pop – Theory, Terminology and Stylistic Analysis, Camouflaged among “Prolegomena” and “Didactic Notes”
By Gabriel Banciu