Tatiana Oltean is assistant professor at the "Gheorghe Dima" Music Academy of Cluj‑Napoca, Department of Musicology, Music History discipline. She graduated with a Bachelor’s degree (department of Musicology, 2003), then earned her Master’s degree (department of Musicological Syntheses, 2005) and her Doctor’s degree (in Muscial Stylistics, with a thesis entitled Analytical Perspectives on the Opera-Oratorio "Manole the Craftsman" by Sigismund Toduţă, 2008, under the professional supervision of academician Cornel Ţăranu, Professor, Ph.D.) at the same institution. Her musicological interests include analytical aspects of the works of Romanian composers, performing arts and the mythology-music binomial.

Olguța Lupu studied piano, then graduated in composition with Tiberiu Olah at the Bucharest Conservatory. She holds a PhD in musicology and her favourite subject is 20th century music, with a focus on Romanian composers. Her work has been included in various national and international conferences and symposia, she has participated in radio broadcasts and has published over 50 studies. She has written books in the field of musicology and music theory and coordinated, as editor, several volumes dedicated to important personalities of Romanian music. She was awarded the prizes of the Union of Romanian Composers and Musicologists (2016) and Muzica magazine (2018, 2022). Currently, she is the coordinator of the Musicology Section of the Society of Composers and Musicologists of Romania, teaches Music Theory, Score Reading and is Dean of the Faculty of Composition, Musicology and Music Pedagogy at the National University of Music Bucharest.

Reinhart Meyer-Kalkus is scientific coordinator at the Wissenschaftskolleg zu Berlin (Institute for Advanced Studies) and professor of German literature at the University of Potsdam, where he has taught since 1996. Before that he worked for many years in Bonn and Paris at the German Academic Exchange Service (DAAD). During 1998-1999 he was a Fellow of the Getty Research Institute in Los Angeles.  Since 1997 he teaches at the Potsdam University.
Main research interests: German and French literature since the seventeenth century, literature in performance, contemporary music, and history of the German Lied and the French Mélodie.
Main books: Wollust und Grausamkeit: Affektenlehre und Affektdarstellung in Lohensteins Dramatik am Beispiel von “Agrippina,” Göttingen 1986; Die akademische Mobilität zwischen Deutschland und Frankreich 1925-1992, Bonn 1994; Stimme und Sprechkünste im 20. Jahrhundert, Berlin 2001; György Ligeti/Gerhard Neuweiler: Motorische Intelligenz, ed. Reinhart Meyer-Kalkus, Berlin 2007.

Musicologist and PhD in music since 2002, Antigona Rădulescu is Professor at the National University of Music Bucharest teaching courses of polyphony, semiotics and musical narratology. Her musicological activity includes: published books – Perspective semiotice în muzică [Semiotic Perspectives in Music] (2003), Johann Sebastian Bach (2010), Introducere în semiotica muzicală [Introduction in Musical Semiotics] (2013) – book for which she received the Romanian Academy Award (2015), Odiseea muzicală/Musical Odyssey 1864-2014; main collaborator of the volume Muzica românească între 1944-2000 by Valentina Sandu-Dediu (2002), translated into German (2006; Rumänische Musik nach 1944, Verlag: Pfau, Saarbrücken, 2006); coordinator of the collective volumes Estetica. Un alt fel de manual [Aesthetic. Another Kind of Manual] (2007), and Generația de aur a avangardei muzicale românești [The Golden Generation of the Romanian Musical Avantgarde] (2021); author of several university courses on counterpoint and musical semiotics and studies on various themes, from semiotics to modern and contemporary creation, published in academic journals.